Waldorf Largo Bedienungsanleitung

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Inhaltsverzeichnis

Seite 2 - Foreword

Installation Largo User´s Manual 10 3. Double click on the Largo Installer icon to load the installation software. Follow the instruc

Seite 3 - We would like to thank

Installation 11 Largo User´s Manual 3. Enter the 32 digit activation code that was included in your Largo package. Confirm it and follo

Seite 4 - Content

Basic Operation Largo User´s Manual 12 Basic Operation Worth Knowing about Parts Largo offers a sound structure with four parts. All four

Seite 5

Basic Operation 13 Largo User´s Manual Control Elements Using Largo’s controls is simple. There are some different types of control elements:

Seite 6 - Overview

Sound Parameter Largo User´s Manual 14 Sound Parameter Overview of Functions The Waldorf Largo consists of numerous sound-shaping components.

Seite 7 - Introduction

Sound Parameter 15 Largo User´s Manual • Save All Programs up to this Program saves all sounds from sound program 1 to the cur

Seite 8 - Installation

Sound Parameter Largo User´s Manual 16 w Please note that some host applications as Steinberg Cubase 4 or newer use an additional sound

Seite 9 - Installation under Mac OS X

Sound Parameter 17 Largo User´s Manual show „Programs“ only, show „Banks“ only or show „AudioUnit Setting“ (Mac only). • File Browser

Seite 10 - Activation of Largo

Sound Parameter Largo User´s Manual 18 • Paste – pastes the copied Programs into the currently selected Programs. If there are less P

Seite 11

Sound Parameter 19 Largo User´s Manual programs, such as a plain text editor (no rich text editor since that one understands dr

Seite 12 - Basic Operation

Foreword Largo User´s Manual 2 Foreword Thank you for purchasing the Waldorf Largo. You now own a synthesizer with real Waldorf DNA featuring a wid

Seite 13 - Control Elements

Sound Parameter Largo User´s Manual 20 Working with the File Browser The view is divided into three columns. The first column shows the file or

Seite 14 - Sound Parameter

Sound Parameter 21 Largo User´s Manual • Add... – shows a file select dialog to select files that are copied into the selected folder

Seite 15 - The Edit Menu

Sound Parameter Largo User´s Manual 22 moves the selected files or folders to the highlighted folder. Note: the files and folders are *moved

Seite 16 - The Sound Browser

Sound Parameter 23 Largo User´s Manual “waveform”, because it doesn’t necessarily set only one waveform, but sets a specific oscillat

Seite 17 - Program Table

Sound Parameter Largo User´s Manual 24 [ The Sine shape can be used to produce basses and electric organ sounds. [ The Sine shape is al

Seite 18

Sound Parameter 25 Largo User´s Manual Semitone -12...+12 Sets the pitch of the oscillator in semitone steps. The standard settin

Seite 19 - File Browser

Sound Parameter Largo User´s Manual 26 FM Source see table „FM Sources“ Selects the source for the frequency modulation of the selected

Seite 20

Sound Parameter 27 Largo User´s Manual [ A pulse width of around 30% can be used for e-piano or fat bass sounds. [ A pulse widt

Seite 21

Sound Parameter Largo User´s Manual 28 Brilliance 0...127 Determines the brilliance of the ocillator models Saw, Pulse and all Wavetable

Seite 22 - Oscillator Section

Sound Parameter 29 Largo User´s Manual Level 0...127 Available for Oscillator 1 and 2 only. Sub Oscillator Level determines the volume

Seite 23 - 2(3/44/0 5)*(67#% 2*6%

Foreword 3 Largo User´s Manual Largo Development Team Software: Wolfram Franke, Stefan Stenzel 64 Bit and AAX Porting: Thomas Rehaag D

Seite 24 - 128´...1/2´

Sound Parameter Largo User´s Manual 30 [ To create a common pitch vibrato that is controlled by the modwheel, set Osc Pitch Mod Source to

Seite 25 - -200%...+196%

Sound Parameter 31 Largo User´s Manual can be used to add metallic distorted sound characteristics. This is useful e.g. when gen

Seite 26 - 0...127

Sound Parameter Largo User´s Manual 32 beaches and other sound effects can be created by using the noise generator. Noise Balance F1 64...mid...F2

Seite 27

Sound Parameter 33 Largo User´s Manual signal flow from a parallel to a serial filter configuration and vice versa. This is how the

Seite 28 - 1...4

Sound Parameter Largo User´s Manual 34 • When a comb type is selected, the frequencies near the cutoff frequency are emphasized (comb+) or

Seite 29 - off / on

Sound Parameter 35 Largo User´s Manual changes to a sine wave. This drive type is very effective in combination with amplitude m

Seite 30 - Mixer Section

Sound Parameter Largo User´s Manual 36 differences when you change the Resonance because of phase changes. Anyway, the effect isn’t tha

Seite 31 - F1 64...mid...F2 63

Sound Parameter 37 Largo User´s Manual amount, and vice versa. A setting of +100% corresponds to a 1:1 scale, so e.g. when an octave

Seite 32 - The Filter Section

Sound Parameter Largo User´s Manual 38 the keyboard. Negative amounts will decrease the cutoff frequency when positive modulation is applied

Seite 33

Sound Parameter 39 Largo User´s Manual commonly used setting, which gives a piano-like character. With negative settings, the volume de

Seite 34 - miscellaneous

Content Largo User´s Manual 4 Content Foreword ... 2!What t

Seite 35

Sound Parameter Largo User´s Manual 40 throughout all music styles. Please note that Glide affects the pitch of all oscillators. Time 0...127 Dete

Seite 36

Sound Parameter 41 Largo User´s Manual Unisono Detune 0...127 Controls the detuning of the Unison voices. Each voice is detuned differently

Seite 37 - -64...+63

Sound Parameter Largo User´s Manual 42 Voices 1...256 Largo offers up to 256 voices. The number of available voices depends on the availa

Seite 38 - The Amplifier Section

Sound Parameter 43 Largo User´s Manual • The Sine shape is best suited for oscillator FM or pan modulations. • The Triangle sha

Seite 39 - Parameter Module Section

Sound Parameter Largo User´s Manual 44 When the LFO Clock parameter is set to On, you can adjust the Speed in musical values. The lowest

Seite 40 - Off / Dual / 3...6

Sound Parameter 45 Largo User´s Manual Fade -64…+63 Controls the speed with which the LFO is faded in or out. With this parameter you can cr

Seite 41

Sound Parameter Largo User´s Manual 46 w The Parameter Controls of all envelopes are nearly similar. w A detailled introduction of the

Seite 42 - The LFOs

Sound Parameter 47 Largo User´s Manual The Additional Envelope Parameter Attack Level 0...127 Controls the level at each the Attack phase e

Seite 43 - free, 0°…360

Sound Parameter Largo User´s Manual 48 multiplication of the source signal and this parameter, the resulting amplitude depends on the type of

Seite 44 - off / on

Sound Parameter 49 Largo User´s Manual Op (Operation) see table Determines which kind of operation will be performed on the selected input

Seite 45 - The Envelopes

Content 5 Largo User´s Manual The Comb Filter Types ... 76!Envelope Types in the Largo ...

Seite 46

Sound Parameter Largo User´s Manual 50 The Arpeggiator An Arpeggiator is a device that splits an incoming MIDI chord into its single notes

Seite 47 - The Modulation Matrix

Sound Parameter 51 Largo User´s Manual • Press and hold the first key of the chord. While holding this key, enter the other keys seq

Seite 48 - Modifier

Sound Parameter Largo User´s Manual 52 notes with velocities 64, 120 and 96, the note list will be sorted to 64, 96 and 120. • Vel Hi>Lo is the

Seite 49 - see table

Sound Parameter 53 Largo User´s Manual Octave Range 1...10 Determines the range of the single notes in octaves. When it is set to 1 Oct, th

Seite 50 - The Arpeggiator

Sound Parameter Largo User´s Manual 54 Pattern Reset off / on When all steps of an arpeggio pattern are played back, the pattern is repeated fro

Seite 51 - press

Sound Parameter 55 Largo User´s Manual • User gives you the ability to create your own custom rhythm pattern. This pattern is stored

Seite 52 - set by the Arp Accent

Sound Parameter Largo User´s Manual 56 • If off is selected, the Note Off message of the previous note is sent right before the ne

Seite 53 - up here, the

Sound Parameter 57 Largo User´s Manual hear it. This feature is the opposite to Step set to o pause, which doesn’t generate any note an

Seite 54 - off / User / 1…15

Sound Parameter Largo User´s Manual 58 • If Pause o is selected, the Arpeggiator plays nothing at this step position. When Length is set to

Seite 55 - on / off

Sound Parameter 59 Largo User´s Manual w Please note that Glide function must be set to off when you want to set Arp Glide for indi

Seite 56 - Arpeggiator Step Editor

Overview Largo User´s Manual 6 OverviewUser Interface a Head-up section b Main parameter section c Module parameter section d Virtual Keyboar

Seite 57 - miscellaneous data

Sound Parameter Largo User´s Manual 60 Type Bypass / Chorus / Flanger / Phaser / Overdrive / Delay / Reverb Sets the type of effect produced by t

Seite 58

Sound Parameter 61 Largo User´s Manual Polarity Pos / Neg Controls if the signal is fed back normally or inverted. Feedback 0…127 Feeds t

Seite 59 - The Effects

Sound Parameter Largo User´s Manual 62 Depth 0…127 Sets the modulation depth of the Phaser effect. Center 0…127 Controls the basic delay length

Seite 60

Sound Parameter 63 Largo User´s Manual w Please note that the setting of the Mix parameter doesn’t affect the strength of the overdr

Seite 61 - Flanger

Sound Parameter Largo User´s Manual 64 creates the typical “high frequency loss” that often happens in natural echoes. A setting of 1

Seite 62 - Overdrive

Sound Parameter 65 Largo User´s Manual reverb as if the signal were reflected by a uneven surface. Settings above 100 change the room c

Seite 63

Sound Parameter Largo User´s Manual 66 Chamber 2-5 0-40 Room 2-10 ~64 Club 10-16 ~64 Medium Hall 16-32 ~64 Large Hall 32-64 ~64 Car Park 50-80 0-40

Seite 64 - delay so that the

Appendix 67 Largo User´s Manual Appendix Oscillators Introduction The oscillator is the first building block of a synthesizer. It delivers t

Seite 65

Appendix Largo User´s Manual 68 partials. In most waveforms, the partial with the lowest frequency is dominant, meaning that this partial i

Seite 66 - Stereo / Multi

Appendix 69 Largo User´s Manual bow pulling the string slightly into one direction. At one point, the string abruptly comes off the

Seite 67 - Appendix

Introduction 7 Largo User´s Manual Introduction About this Manual This manual was written to help you to become familiar with the Largo

Seite 68 - The Sawtooth Wave

Appendix Largo User´s Manual 70 tube that can contain a certain amount of air. The player blows air through the tube in a way such that the air sta

Seite 69 - The Square Wave

Appendix 71 Largo User´s Manual very symmetrical harmonic content, while all other pulse widths create peaks or troughs at certain fre

Seite 70 - The Pulse Wave

Appendix Largo User´s Manual 72 Additive components of the Triangle wave The reason why the triangle wave is so popular in classic synthesizers:

Seite 71 - The Triangle Wave

Appendix 73 Largo User´s Manual This principle offers powerful capabilities. To give some examples: • Each note on a keyboard can acc

Seite 72

Appendix Largo User´s Manual 74 20 Polated 54 19/twenty 21 Transient 55 Wavetrip1 22 ElectricP 56 Wavetrip2 23 Robotic 57 Wavetrip3 24 StrongHrm 58

Seite 73

Appendix 75 Largo User´s Manual To give you an idea of the extent of damping, consider this example of a low pass filter: A

Seite 74 - Filter Introduction

Appendix Largo User´s Manual 76 The Comb Filter Types The Comb filter types differ from the other filter types greatly, because they don’t

Seite 75

Appendix 77 Largo User´s Manual Comb – Filter Type So, as with all other filter types, the Comb filter is controlled with two para

Seite 76 - The Comb Filter Types

Appendix Largo User´s Manual 78 [ You can also pan the original, i.e. low pass filtered signal, to one stereo side and route 50% into Filter 2,

Seite 77 - The Comb filter as a Chorus

Appendix 79 Largo User´s Manual [ Use Filter Keytrack with an amount of 100% to create really different flangings depending on

Seite 78

Installation Largo User´s Manual 8 Installation System Requirements for Windows In order to be able to use the Largo, you will need at least: • A

Seite 79

Appendix Largo User´s Manual 80 2. Turn up Resonance to around 114 to 127. 3. Turn up Filter Keytrack to +100% to have Filter Cutoff cha

Seite 80

Appendix 81 Largo User´s Manual Envelope Types in the Largo ADSR Envelope Most traditional synthesizers feature ADSR envelopes. These e

Seite 81 - Envelope Types in the Largo

Appendix Largo User´s Manual 82 Decay and Sustain pair. With these additional parameters, you can create much more complex envelopes. ADS1DS2R En

Seite 82 - Loop S1S2 Envelope

Appendix 83 Largo User´s Manual Loop S1S2 Envelope Loop All Envelope The Loop All envelope type is similar to the Loop S1S2 envelo

Seite 83 - Loop All Envelope

Appendix Largo User´s Manual 84 FM Sources FM Source: Description: off No modulation Osc1 Oscillator 1 Signal Osc2 Oscillator 2 Signal Osc3 Oscilla

Seite 84 - Modulation Sources

Appendix 85 Largo User´s Manual (equals +1) Voice Num Current voice number as Mod Source Voice %16, %8, %4, %2 Used voice number as Mod Sourc

Seite 85 - Modulation Destinations

Appendix Largo User´s Manual 86 AE Sustain Sustain (and Sustain 2) level of Amp Envelope AE Release Release rate of Amp Envelope E3 Attack Attack r

Seite 86 - Tips & Tricks

Appendix 87 Largo User´s Manual Just keep in mind that the LFOs have a maximum speed of around 2500 Hz and that they can produce alia

Seite 87

Appendix Largo User´s Manual 88 Controller Numbers Controllers marked with * don’t change the Sound program but can perform temporary modula

Seite 88 - Controller Numbers

Appendix 89 Largo User´s Manual sawtooth, random, S&H 16 0…127 LFO 1 Speed 0…127 or 256 bars…1/96 17 0…1 LFO 1 Sync off, on 18 0…127 LFO

Seite 89

Installation 9 Largo User´s Manual 2. Double click on the archive file to extraxt it. 3. Double click on the Largo Installer icon. This launc

Seite 90

Appendix Largo User´s Manual 90 47 0…127 Osc 3 PW 0…127 48 0…127 Osc 3 PWM -64…+63 49 0…1 Sync off, on 50 0…127 Pitchmod -64…+63 51 0…9 Glide Mode

Seite 91

Appendix 91 Largo User´s Manual 77 0…127 Filter 1 Pan L64…center…R63 78 0…127 Filter 1 Panmod -64…+63 79 0…10 Filter 2 Type See Filter types

Seite 92

Appendix Largo User´s Manual 92 115 0…127 E4 Sustain 0…127 116 0…127 E4 Decay 2 0…127 117 0…127 E4 Sustain 2 0…127 118 0…127 E4 Release 0…127 119 -

Seite 93 - Glossary

Appendix 93 Largo User´s Manual Glossary Aftertouch The majority of contemporary keyboards are capable of generating aftertouch messag

Seite 94 - Envelope

Appendix Largo User´s Manual 94 Clipping Clipping is a sort of distortion that occurs when a signal exceeds its maximum value. The curve of a

Seite 95 - Low Pass Filter

Appendix 95 Largo User´s Manual frequency. A high pass filter in turn dampens the frequencies below the cutoff. The band pass filt

Seite 96

Appendix Largo User´s Manual 96 MIDI Thru has a special function. It allows the sender to transmit to several receivers. It routes the incoming sig

Seite 97

Appendix 97 Largo User´s Manual Program Change These are MIDI messages that switch sound programs. Program numbers 1 through 128

Seite 98 - Largo User´s Manual 98

Appendix Largo User´s Manual 98 in shape, the result will sound smooth and pleasant. If, however, the shapes are completely different

Seite 99 - Product Support

Appendix 99 Largo User´s Manual Product Support If you have any questions about your Waldorf product, feel free to contact us vi

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